CiteULike | Further Information

• {"link"=>{"url"=>"http://www.citeulike.org/user/tomhebbron/article/11821271"}, "post_time"=>"2012-12-02 23:10:58", "tag"=>["control", "hierarchical_systems", "music", "signalling"], "linkout"=>{"type"=>"DOI", "url"=>"http://dx.doi.org/10.1371/journal.pone.0035757"}, "username"=>"tomhebbron", "article_id"=>"11821271"}

Mendeley | Further Information

{"title"=>"Leadership in orchestra emerges from the causal relationships of movement kinematics", "type"=>"journal", "authors"=>[{"first_name"=>"Alessandro", "last_name"=>"D'Ausilio", "scopus_author_id"=>"16229298400"}, {"first_name"=>"Leonardo", "last_name"=>"Badino", "scopus_author_id"=>"34881512600"}, {"first_name"=>"Yi", "last_name"=>"Li", "scopus_author_id"=>"57192521924"}, {"first_name"=>"Sera", "last_name"=>"Tokay", "scopus_author_id"=>"55211355100"}, {"first_name"=>"Laila", "last_name"=>"Craighero", "scopus_author_id"=>"6603081745"}, {"first_name"=>"Rosario", "last_name"=>"Canto", "scopus_author_id"=>"23487897600"}, {"first_name"=>"Yiannis", "last_name"=>"Aloimonos", "scopus_author_id"=>"7004453469"}, {"first_name"=>"Luciano", "last_name"=>"Fadiga", "scopus_author_id"=>"6603680863"}], "year"=>2012, "source"=>"PLoS ONE", "identifiers"=>{"sgr"=>"84860752875", "doi"=>"10.1371/journal.pone.0035757", "pui"=>"364774451", "pmid"=>"22590511", "scopus"=>"2-s2.0-84860752875", "issn"=>"19326203", "isbn"=>"1932-6203 (Electronic) 1932-6203 (Linking)"}, "id"=>"327f0d31-8249-3025-9c2e-4849b1bbca73", "abstract"=>"Non-verbal communication enables efficient transfer of information among people. In this context, classic orchestras are a remarkable instance of interaction and communication aimed at a common aesthetic goal: musicians train for years in order to acquire and share a non-linguistic framework for sensorimotor communication. To this end, we recorded violinists’ and conductors’ movement kinematics during execution of Mozart pieces, searching for causal relationships among musicians by using the Granger Causality method (GC). We show that the increase of conductor-to-musicians influence, together with the reduction of musician-to-musician coordination (an index of successful leadership) goes in parallel with quality of execution, as assessed by musical experts’ judgments. Rigorous quantification of sensorimotor communication efficacy has always been complicated and affected by rather vague qualitative methodologies. Here we propose that the analysis of motor behavior provides a potentially interesting tool to approach the rather intangible concept of aesthetic quality of music and visual communication efficacy.", "link"=>"http://www.mendeley.com/research/leadership-orchestra-emerges-causal-relationships-movement-kinematics", "reader_count"=>103, "reader_count_by_academic_status"=>{"Unspecified"=>2, "Professor > Associate Professor"=>6, "Researcher"=>21, "Student > Doctoral Student"=>5, "Student > Ph. D. Student"=>29, "Student > Postgraduate"=>2, "Student > Master"=>15, "Other"=>5, "Student > Bachelor"=>5, "Lecturer"=>4, "Professor"=>9}, "reader_count_by_user_role"=>{"Unspecified"=>2, "Professor > Associate Professor"=>6, "Researcher"=>21, "Student > Doctoral Student"=>5, "Student > Ph. D. Student"=>29, "Student > Postgraduate"=>2, "Student > Master"=>15, "Other"=>5, "Student > Bachelor"=>5, "Lecturer"=>4, "Professor"=>9}, "reader_count_by_subject_area"=>{"Unspecified"=>7, "Agricultural and Biological Sciences"=>7, "Arts and Humanities"=>11, "Philosophy"=>1, "Business, Management and Accounting"=>2, "Computer Science"=>12, "Decision Sciences"=>1, "Economics, Econometrics and Finance"=>2, "Engineering"=>10, "Medicine and Dentistry"=>6, "Neuroscience"=>3, "Physics and Astronomy"=>3, "Psychology"=>29, "Social Sciences"=>8, "Linguistics"=>1}, "reader_count_by_subdiscipline"=>{"Medicine and Dentistry"=>{"Medicine and Dentistry"=>6}, "Social Sciences"=>{"Social Sciences"=>8}, "Decision Sciences"=>{"Decision Sciences"=>1}, "Physics and Astronomy"=>{"Physics and Astronomy"=>3}, "Psychology"=>{"Psychology"=>29}, "Unspecified"=>{"Unspecified"=>7}, "Arts and Humanities"=>{"Arts and Humanities"=>11}, "Engineering"=>{"Engineering"=>10}, "Neuroscience"=>{"Neuroscience"=>3}, "Economics, Econometrics and Finance"=>{"Economics, Econometrics and Finance"=>2}, "Agricultural and Biological Sciences"=>{"Agricultural and Biological Sciences"=>7}, "Computer Science"=>{"Computer Science"=>12}, "Business, Management and Accounting"=>{"Business, Management and Accounting"=>2}, "Linguistics"=>{"Linguistics"=>1}, "Philosophy"=>{"Philosophy"=>1}}, "reader_count_by_country"=>{"Canada"=>1, "United States"=>2, "Luxembourg"=>1, "Japan"=>1, "Finland"=>1, "United Kingdom"=>1, "Italy"=>5, "France"=>1, "Germany"=>2, "Spain"=>2}, "group_count"=>1}

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• http://doi.org/10.1007/s10339-015-0699-4
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• http://doi.org/10.1098/rstb.2013.0418
• http://doi.org/10.3389/fnhum.2014.00603
• http://doi.org/10.1109/TCDS.2016.2545739
• http://doi.org/10.1162/jocn_a_01227
• http://doi.org/10.3389/fpsyg.2017.00967
• http://doi.org/10.3389/fpsyg.2016.01130
• http://doi.org/10.1016/j.cognition.2017.01.019
• http://doi.org/10.1371/journal.pone.0138328
• http://doi.org/10.1098/rstb.2015.0374
• http://doi.org/10.1016/j.buildenv.2018.10.054
• http://doi.org/10.3389/fpsyg.2014.00963
• http://doi.org/10.1371/journal.pone.0079876
• http://doi.org/10.3389/fpsyg.2015.01034
• http://doi.org/10.1007/s12193-014-0154-3
• http://doi.org/10.1109/JBHI.2016.2589902
• http://doi.org/10.1038/s41598-019-48556-9
• http://doi.org/10.1016/j.isci.2019.05.035
• http://doi.org/10.1098/rstb.2015.0377
• http://doi.org/10.1007/s00422-017-0714-1
• http://doi.org/10.1038/s41598-019-42395-4
• http://doi.org/10.1371/journal.pone.0180101
• http://doi.org/10.1038/s41598-018-36358-4
• http://doi.org/10.1093/scan/nst086
• http://doi.org/10.1371/journal.pone.0107538
• http://doi.org/10.1098/rstb.2013.0487
• http://doi.org/10.1016/j.plrev.2018.06.014
• http://doi.org/10.1016/j.leaqua.2014.07.001
• http://doi.org/10.1016/j.neuropsychologia.2013.11.012
• http://doi.org/10.1016/j.tics.2015.01.005
• http://doi.org/10.1177/1321103X19843191
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• http://doi.org/10.1177/1029864919844809
• http://doi.org/10.1038/s41598-017-06559-4

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PubMed Central

• 4006190
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• 3835897
• 4162643
• 4581738
• 4139714
• 4127011
• 3826428
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• 4151338
• 4519671

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Journal Comments | Further Information

• {"type"=>"COMMENT", "annotationUri"=>"info:doi/10.1371/annotation/98eb0890-0135-4da9-bdb3-52ac921109b6", "title"=>"Media Coverage of This Article", "body"=>"The following article represents some of the media coverage that has occurred for this paper:\n\nPublication: EurekAlert \nTitle: “Non-verbal communication between conductor, musician leads to better music”\nhttp://www.eurekalert.org/pub_releases/2012-05/plos-ncb050712.php\n\nIf you see any additional coverage of this paper in the press or blogosphere, please reply to this thread and add the link to the article. ", "isRemoved"=>false, "created"=>"2012-05-11T21:47:21Z", "lastModified"=>"2012-05-11T21:47:21Z", "creator"=>{"userId"=>"80539"}, "highlightedText"=>"", "competingInterestStatement"=>{"creatorWasPrompted"=>true, "hasCompetingInterests"=>true, "body"=>"PLoS ONE Staff"}, "parentArticle"=>{"doi"=>"info:doi/10.1371/journal.pone.0035757", "state"=>"published", "journals"=>{"PLoSONE"=>{"journalKey"=>"PLoSONE", "eIssn"=>"1932-6203", "title"=>"PLOS ONE"}}}, "replyTreeSize"=>0, "mostRecentActivity"=>"2012-05-11T21:47:21Z", "replies"=>[]}
• {"type"=>"COMMENT", "annotationUri"=>"info:doi/10.1371/annotation/c7387613-acad-4965-b24f-62390fd55031", "title"=>"suggested rephrasings", "body"=>"1. Suggest this correction: <Whereas, joint action requires the sharing of the same goal and does not necessarily require a specific motor coordination among all the agents. Both action coordination and joint action require the continuous exchange of information to allow understanding and prediction of other's motor intentions.>\n2. Suggest replacing <In conclusion, here we could quantify the non-verbal communication patterns among musicians and conductor that may affects the rather intangible concept of aesthetic quality of music.> with <In conclusion, here we have been able to quantify the non-verbal communication patterns among musicians and conductor that may affect the rather intangible concept of the aesthetic quality of a musical experience.> \nSuperbly interesting paper! More please!", "isRemoved"=>false, "created"=>"2013-02-13T18:38:00Z", "lastModified"=>"2013-02-13T18:38:00Z", "creator"=>{"userId"=>"310691"}, "highlightedText"=>"", "competingInterestStatement"=>{"creatorWasPrompted"=>true, "hasCompetingInterests"=>false}, "parentArticle"=>{"doi"=>"info:doi/10.1371/journal.pone.0035757", "state"=>"published", "journals"=>{"PLoSONE"=>{"journalKey"=>"PLoSONE", "eIssn"=>"1932-6203", "title"=>"PLOS ONE"}}}, "replyTreeSize"=>0, "mostRecentActivity"=>"2013-02-13T18:38:00Z", "replies"=>[]}

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• {"id"=>"243771614590820353", "text"=>"Interesting article in @TheEconomist about conducting … that fails to link to the journal article/study: http://t.co/Hl5GCZpa", "created_at"=>"2012-09-06T18:04:16Z", "user"=>"franckhertz", "user_name"=>"franckhertz", "user_profile_image"=>"http://a0.twimg.com/profile_images/92131521/FHZd_normal.png"}
• {"id"=>"244045188216004608", "text"=>"Here is that @TheEconomist article on conducting with no link to the study/paper. http://t.co/TcqOfeWw Paper here: http://t.co/4SqqZK3r", "created_at"=>"2012-09-07T12:11:21Z", "user"=>"franckhertz", "user_name"=>"franckhertz", "user_profile_image"=>"http://a0.twimg.com/profile_images/92131521/FHZd_normal.png"}
• {"id"=>"244054895982964736", "text"=>"Observação da relação motora entre maestro e violinistas durante a execução de peças clássicas http://t.co/gLh9eg2Q http://t.co/EJCrbZbF", "created_at"=>"2012-09-07T12:49:56Z", "user"=>"iCBori", "user_name"=>"iCarolinaBori", "user_profile_image"=>"http://a0.twimg.com/profile_images/2139068106/seeds_normal.jpg"}
• {"id"=>"244766610844422144", "text"=>"impressive research design in leadership involving baton-toting dictators http://t.co/c0RQib9Y via @TheEconomist http://t.co/lViXNc5j", "created_at"=>"2012-09-09T11:58:02Z", "user"=>"HAEFLIGER", "user_name"=>"stefan haefliger", "user_profile_image"=>"http://a0.twimg.com/profile_images/46881102/stefanSWsmall_normal.jpg"}
• {"id"=>"244815015998267392", "text"=>"RT @HAEFLIGER: impressive research design in leadership involving baton-toting dictators http://t.co/c0RQib9Y via @TheEconomist http://t ...", "created_at"=>"2012-09-09T15:10:22Z", "user"=>"hoferlink", "user_name"=>"Patrick Hofer", "user_profile_image"=>"http://a0.twimg.com/profile_images/1747404488/a72ca_normal.jpg"}
• {"id"=>"245088745458651136", "text"=>"#PLOS: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/MYq5lIcE", "created_at"=>"2012-09-10T09:18:05Z", "user"=>"BrainEthics", "user_name"=>"BrainEthics", "user_profile_image"=>"http://a0.twimg.com/profile_images/1418898434/Sk_rmbillede_2011-06-29_kl._17.24.35_normal.png"}
• {"id"=>"246016714347790336", "text"=>"A conductor's effect measured - aesthetics meets science: http://t.co/XOiuUlSA", "created_at"=>"2012-09-12T22:45:30Z", "user"=>"willmif", "user_name"=>"William Mifsud", "user_profile_image"=>"http://a0.twimg.com/profile_images/1661061900/greenLightBW_normal.png"}
• {"id"=>"246017210504597504", "text"=>"The effect of an (assertive) conductor on an orchestra is real - aesthetics meets scientific measurement:\nhttp://t.co/sumlA2IN #PLOS", "created_at"=>"2012-09-12T22:47:28Z", "user"=>"willmif", "user_name"=>"William Mifsud", "user_profile_image"=>"http://a0.twimg.com/profile_images/1661061900/greenLightBW_normal.png"}
• {"id"=>"248188960105435137", "text"=>"#PLOS: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/2gGaduZM #musique", "created_at"=>"2012-09-18T22:37:13Z", "user"=>"MarinFavre", "user_name"=>"Marin Favre", "user_profile_image"=>"http://a0.twimg.com/profile_images/2301854610/vu3i07l6msttqqn438kd_normal.jpeg"}
• {"id"=>"273533989040574464", "text"=>"New study links kinetic movement of #orchestra leadership with increased aesthetic quality of music to listeners. http://t.co/Fxk2ouni", "created_at"=>"2012-11-27T21:09:19Z", "user"=>"JTMusicologist", "user_name"=>"Jack", "user_profile_image"=>"http://a0.twimg.com/profile_images/2870423917/b4601e4566b3d364a0c758e5ef3970e7_normal.jpeg"}
• {"id"=>"273815187792986112", "text"=>"When Granger meets Mozart: #PLOSONE Leadership in Orchestra Emerges from Causal Relationships of Movement Kinematics http://t.co/8r1GqTJq", "created_at"=>"2012-11-28T15:46:42Z", "user"=>"razorpsyche", "user_name"=>"psyche loui", "user_profile_image"=>"http://a0.twimg.com/profile_images/60922689/me_cropped_normal.jpg"}
• {"id"=>"273849743711547393", "text"=>"How does the conductor affect the orchestra? LANGUAGE WARNING: Written in Academic, not English! http://t.co/BxFW3rBb", "created_at"=>"2012-11-28T18:04:01Z", "user"=>"MidColSymphony", "user_name"=>"MidColumbia Symphony", "user_profile_image"=>"http://a0.twimg.com/profile_images/2729978598/5fd25889d2074e22b3301c4f056e3e06_normal.png"}
• {"id"=>"274842397719019521", "text"=>"#PLOSONE: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/BxwQdTdS", "created_at"=>"2012-12-01T11:48:28Z", "user"=>"MiaLongalai", "user_name"=>"Mia Longalai", "user_profile_image"=>"http://a0.twimg.com/profile_images/2647758680/31ef67e33d7001c379e09420600e6e3b_normal.jpeg"}
• {"id"=>"275512807557058560", "text"=>"Hrmm, an interesting study Kinematic study of Leadership in Orchestral Conductor/Musician relationships http://t.co/ixbweGOC #music #science", "created_at"=>"2012-12-03T08:12:26Z", "user"=>"bradav", "user_name"=>"David", "user_profile_image"=>"http://a0.twimg.com/profile_images/64431279/dab_normal.png"}
• {"id"=>"309953928873787392", "text"=>"Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/EO3hyyySWH #MusicThinking #Leadership", "created_at"=>"2013-03-08T09:09:09Z", "user"=>"ChristofZuern", "user_name"=>"Christof Zürn", "user_profile_image"=>"http://a0.twimg.com/profile_images/1172502480/mypictr_last.fm_normal.jpg"}
• {"id"=>"309953930572484608", "text"=>"Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/8k7Syl0zAM #MusicThinking #Leadership", "created_at"=>"2013-03-08T09:09:10Z", "user"=>"MusicThinking", "user_name"=>"Music Thinking", "user_profile_image"=>"http://a0.twimg.com/profile_images/1615872212/MusicThinking_pict_normal.png"}
• {"id"=>"313449141667758082", "text"=>"@nancyflanagan @wmchamberlain http://t.co/X6DQ22tIol", "created_at"=>"2013-03-18T00:37:53Z", "user"=>"swpax", "user_name"=>"Shawn White", "user_profile_image"=>"http://a0.twimg.com/profile_images/3291676306/469097f84662fbddf19e0ca2f3acbe58_normal.jpeg"}
• {"id"=>"360494742183747585", "text"=>"@PeterAntosh well Mr. Technical, here's the study ;-) http://t.co/RJKydCErp5 but my \"expert opinion\" was going solely off my experience", "created_at"=>"2013-07-25T20:20:18Z", "user"=>"LibertyTango", "user_name"=>"LibertyTango", "user_profile_image"=>"http://a0.twimg.com/profile_images/378800000179318577/f144b417e364376dbefdd3597568677f_normal.jpeg"}
• {"id"=>"495553341175644160", "text"=>"Music: interaction and communication between violinists and conductors during execution of Mozart pieces http://t.co/sca2rLmum2", "created_at"=>"2014-08-02T12:54:58Z", "user"=>"MediaMediorum", "user_name"=>"F. J. Mariet", "user_profile_image"=>"http://pbs.twimg.com/profile_images/243816901/IMG_0099_normal.JPG"}
• {"id"=>"512020094445031424", "text"=>"指揮者の話のもとの論文，約２年前／http://t.co/cG5e5T3eoz", "created_at"=>"2014-09-16T23:27:58Z", "user"=>"bayerischecreme", "user_name"=>"M. Symbol", "user_profile_image"=>"http://pbs.twimg.com/profile_images/509315109890437120/BU-E8QUB_normal.jpeg"}
• {"id"=>"533661623030779905", "text"=>"PLOS ONE: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics - http://t.co/6tFhI9U1HU", "created_at"=>"2014-11-15T16:43:40Z", "user"=>"ceekz", "user_name"=>"吉田光男 /Mitsuo Yoshida", "user_profile_image"=>"http://pbs.twimg.com/profile_images/522039638689464321/9uU1RGk9_normal.jpeg"}
• {"id"=>"533662582087753728", "text"=>"グレンジャー因果性を使っているのか　#PLOSONE: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://t.co/qlLSwAG6Xe", "created_at"=>"2014-11-15T16:47:29Z", "user"=>"masashikomori", "user_name"=>"Masashi Komori", "user_profile_image"=>"http://pbs.twimg.com/profile_images/1297849169/origin13015780316330_normal.jpg"}
• {"id"=>"533665677744148480", "text"=>"RT @masashikomori: グレンジャー因果性を使っているのか　#PLOSONE: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://…", "created_at"=>"2014-11-15T16:59:47Z", "user"=>"hideman2009", "user_name"=>"hideyuki takahashi", "user_profile_image"=>"http://pbs.twimg.com/profile_images/533251669182537728/ycQ_hf-k_normal.jpeg"}
• {"id"=>"533793498172887040", "text"=>"RT @masashikomori: グレンジャー因果性を使っているのか　#PLOSONE: Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics http://…", "created_at"=>"2014-11-16T01:27:42Z", "user"=>"kzts_tnk", "user_name"=>"セミ", "user_profile_image"=>"http://pbs.twimg.com/profile_images/494079411960832001/ZLzm8PCU_normal.jpeg"}
• {"id"=>"553830798504128512", "text"=>"Do orchestras really need conductors? http://t.co/zTqbP46rsX (and the paper: http://t.co/oRX79S2xU8)", "created_at"=>"2015-01-10T08:28:46Z", "user"=>"parisba", "user_name"=>"Paris BA", "user_profile_image"=>"http://pbs.twimg.com/profile_images/539125852294762496/-q4fldg__normal.jpeg"}
• {"id"=>"876249292968574976", "text"=>"@mattyglesias https://t.co/q2l3FlhybG https://t.co/6EbqB88aY4", "created_at"=>"2017-06-18T01:24:46Z", "user"=>"danwwang", "user_name"=>"Dan Wang", "user_profile_image"=>"http://pbs.twimg.com/profile_images/488487953342029824/L-qO-v8V_normal.jpeg"}

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Figshare

• {"files"=>["https://ndownloader.figshare.com/files/640638"], "description"=>"<p>The histogram represents the Aesthetic factor (F1) modulation across pieces and conductors. Evaluations were performed by other musicians on the musical audio recordings. Bars show the standard error of the mean and asterisks denote significant differences.</p>", "links"=>[], "tags"=>["neuroscience", "computer science"], "article_id"=>311128, "categories"=>["Information And Computing Sciences", "Neuroscience"], "users"=>["Alessandro D'Ausilio", "Leonardo Badino", "Yi Li", "Sera Tokay", "Laila Craighero", "Rosario Canto", "Yiannis Aloimonos", "Luciano Fadiga"], "doi"=>"https://dx.doi.org/10.1371/journal.pone.0035757.g003", "stats"=>{"downloads"=>1, "page_views"=>5, "likes"=>0}, "figshare_url"=>"https://figshare.com/articles/_Subjective_ratings_/311128", "title"=>"Subjective ratings.", "pos_in_sequence"=>0, "defined_type"=>1, "published_date"=>"2012-05-09 00:18:48"}
• {"files"=>["https://ndownloader.figshare.com/files/330517", "https://ndownloader.figshare.com/files/330556"], "description"=>"<div><p>Non-verbal communication enables efficient transfer of information among people. In this context, classic orchestras are a remarkable instance of interaction and communication aimed at a common aesthetic goal: musicians train for years in order to acquire and share a non-linguistic framework for sensorimotor communication. To this end, we recorded violinists' and conductors' movement kinematics during execution of Mozart pieces, searching for causal relationships among musicians by using the Granger Causality method (GC). We show that the increase of conductor-to-musicians influence, together with the reduction of musician-to-musician coordination (an index of successful leadership) goes in parallel with quality of execution, as assessed by musical experts' judgments. Rigorous quantification of sensorimotor communication efficacy has always been complicated and affected by rather vague qualitative methodologies. Here we propose that the analysis of motor behavior provides a potentially interesting tool to approach the rather intangible concept of aesthetic quality of music and visual communication efficacy.</p> </div>", "links"=>[], "tags"=>["orchestra", "emerges", "causal", "relationships", "kinematics"], "article_id"=>125270, "categories"=>["Information And Computing Sciences", "Neuroscience"], "users"=>["Alessandro D'Ausilio", "Leonardo Badino", "Yi Li", "Sera Tokay", "Laila Craighero", "Rosario Canto", "Yiannis Aloimonos", "Luciano Fadiga"], "doi"=>["https://dx.doi.org/10.1371/journal.pone.0035757.s001", "https://dx.doi.org/10.1371/journal.pone.0035757.s002"], "stats"=>{"downloads"=>1, "page_views"=>9, "likes"=>0}, "figshare_url"=>"https://figshare.com/articles/Leadership_in_Orchestra_Emerges_from_the_Causal_Relationships_of_Movement_Kinematics/125270", "title"=>"Leadership in Orchestra Emerges from the Causal Relationships of Movement Kinematics", "pos_in_sequence"=>0, "defined_type"=>4, "published_date"=>"2012-05-09 01:27:50"}
• {"files"=>["https://ndownloader.figshare.com/files/640540"], "description"=>"<p>Conductor to musicians driving force (A), musician-to-musician interaction strength (B) are evaluated across musical pieces and shown in the upper two histograms. Bars show the standard error of the mean and asterisks denote significant differences.</p>", "links"=>[], "tags"=>["musician-to-musician"], "article_id"=>311027, "categories"=>["Information And Computing Sciences", "Neuroscience"], "users"=>["Alessandro D'Ausilio", "Leonardo Badino", "Yi Li", "Sera Tokay", "Laila Craighero", "Rosario Canto", "Yiannis Aloimonos", "Luciano Fadiga"], "doi"=>"https://dx.doi.org/10.1371/journal.pone.0035757.g002", "stats"=>{"downloads"=>1, "page_views"=>7, "likes"=>0}, "figshare_url"=>"https://figshare.com/articles/_Conductor_to_musician_musician_to_musician_communication_/311027", "title"=>"Conductor-to-musician, musician-to-musician communication.", "pos_in_sequence"=>0, "defined_type"=>1, "published_date"=>"2012-05-09 00:17:07"}
• {"files"=>["https://ndownloader.figshare.com/files/640437"], "description"=>"<p>For each piece of music, the time is divided into overlapping windows (panel A show acceleration profiles of C1 conductor in orange and Violin number 5 in blue). The pairwise driving forces between the conductor (orange circle) and each player (blue circle) are computed. The performances are evaluated using conductor-player pairs. Subsequently, compute the pairwise driving forces between players. The summed value of forces between each player (in orange) towards all other musicians (blue circle), excluding the contribution of the conductor (here in grey), forms the interaction strength for that musician (Panel B).</p>", "links"=>[], "tags"=>["neuroscience", "computer science"], "article_id"=>310924, "categories"=>["Information And Computing Sciences", "Neuroscience"], "users"=>["Alessandro D'Ausilio", "Leonardo Badino", "Yi Li", "Sera Tokay", "Laila Craighero", "Rosario Canto", "Yiannis Aloimonos", "Luciano Fadiga"], "doi"=>"https://dx.doi.org/10.1371/journal.pone.0035757.g001", "stats"=>{"downloads"=>0, "page_views"=>0, "likes"=>0}, "figshare_url"=>"https://figshare.com/articles/_Experimental_design_/310924", "title"=>"Experimental design.", "pos_in_sequence"=>0, "defined_type"=>1, "published_date"=>"2012-05-09 00:15:24"}

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Relative Metric

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F1000Prime